Reviews Audio Preamplifiers

Presonus BlueTube DP v2 2-Channel Mic/Instrument Tube Preamp

Dual path, with both 12AX7 vacuum tube and solid-state gain stages.
Combo mic/instrument inputs with class A XMAX mic Preamplifiers and 48V phantom power.
80 Hz high-pass filter, -20 dB pad, polarity-reverse switch.

4U portable soft rack case designed for 19“ rack-mountable gears including wireless microphone receivers, preamplifiers, processors.
Sturdy construction with plywood rack frame, covered in padded 800-denier nylon.
Threaded steel rack rails together with dense foam padding provides great protection.
Easy to carry around with adjustable shoulder strap and loop handle.
Zippered accessory pouch perfect for cables, microphones and etc..

16 channel inputs (8 mono and 4 stereo channel inputs with 60 mm faders (12 faders).
12 Class A XMAX solid-state mic preamplifiers (12 channels + talkback).
4 auxiliary buses (pre/post-fader send) and 2 internal FX buses.
2 stereo 32-bit digital effects processors.
Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ, compressor, downward expander, and limiter.

Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment.
8 state-of-the-art MIDAS designed Mic Preamplifiers.
Phantom power on all microphone inputs. Power Source: Standard IEC AC cable.
Reference-class Cirrus Logic* 24-bit converters for ultimate signal integrity.

...tion: Gold-plated mini stereo jack (3.5 mm) & 1/4" adapter (6.35 mm). Presonus Audiobox iTwo 2X2 USB Audio Recording System Interface For lpad/PC/Mac. Bus-powered USB 2.0/lpad audio interface. 24-bit resolution.
44.1, 48, 88.2, and 96 kHz sampling rate. 2 microphone inputs with low-noise, high-headroom, Class A mic preamplifiers and +48V phantom power. 2 switchable line/instrument inputs. 2 balanced TRS main line-level outputs. 1x1 MIDI In/Out.
Stereo headphone output with independent level control. Zero-latency monitoring via internal analog mixer variable mix via Mix knob. Large main volume knob. Signal present and clipping LEDs. Studio One Artist DAW software (Mac/Windows) and 6+ GB of third-party resources. Transfer files wirelessly from Capture for lpad to Studio One. Compatible with almost all recording software for Mac, Windows, and lpad. Nimbit Free account to distribute and sell your music. Kensington lock hole. Metal chassis.

...mp. (1) RockvilIe RCM03 Pro Studio Recording Condenser Microphone Mic+Metal Shock Mount. (1)RockvilIe PRO-M50 Studio Headphones w/ Detachable Coil Cable, Case+Extra Ear Pad. Features of Bluetube V2: Dual path, with both 12AX7 vacuum tube and solid-state gain stages. Combo mic/instrument inputs with Class A XMAX mic preamplifiers. Tube Drive tube-saturation control. Illuminated analog VU input-level meter.
Compact 1/2U rack-mount chassis. Dual path, with both 12AX7 vacuum tube and solid-state gain stages. Combo mic/instrument inputs with Class A XMAX mic preamplifiers. XLR and line outputs. Tube Drive tube-saturation control. 48V phantom power. 80 Hz high-pass filter. -20 dB pad. Polarity-reverse switch. Illuminated analog VU input-level meter. Compact 1/2U rack-mount chassis. Bluetube V2 Manual English (PDF). RCM03 Condenser Microphone (made of aluminum!).
100% Copper 10 foot 3.5mm jack to XLR cable to connect mic to your computer or other device we need to update on ebay amazon, website, etc. 100% Copper 10 foot XLR to XLR cable to connect to any mixer with phantom power. Metal shock mount. Metal Anti-wind foam cap. Owners Manual. Warranty card. Features: RockvilIe RCM03 Pro Studio Recording Condenser Microphone Mic+Metal Shock Mount. Aluminum high qu....

The SM86 requires phantom power. This may be supplied to the microphone from an external power supply (such as the Shure model PS1A) or directly from preamplifiers, mixers, or consoles with built-in phantom power. Suitable sources should provide 11 to 52 Vdc phantom voltage..
A load impedance of at least 600 Ohms is recommended. The load may be as low as 150 Ohms, but a reduction in output level and output clipping level will result..
Condenser cartridge for studio quality sound.
Tailored frequency response for a clear reproduction of vocals.
Rugged construction withstands the rigors of touring sound.

...also more durable than common SR. The material of balanced XLR cable connector is made of heavy duty alloy, it is very hard. 3-pin is made of copper. Providing the best connectivity to the device. Anti-oxidation & anti-corrosion..
【Universal Compatibility】The Ciwoda XLR patch cable is compatible with patch bays, preamplifiers, speakers, microphones and lighting equipment with the 3-pin XLR connectors, etc. Widely used at Stage Sound, KTV, Professional Sound Reinforcement and more..

...-60DmkII 4-Channel Portable Recorder for DSLR Filmmakers, Knox Gear Clip-On Lavalier Microphone, Tascam TH-03 Closed Back Over-Ear Headphone (Black), Focus Camera by Kirlin 25-Feet XLR Male to XLR Female Microphone Cable, and SanDisk 32GB Ultra SDHC UHS-I Memory Card.
High-Quality HDDA Mic Preamps: DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The mic preamps have been upgraded for up to 64dB of gain with XLR input jacks for greater cable compatibility.
Variety of Inputs/Outputs with Internal Mixing: DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation. Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder.
Internal Digital Mixer: The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hi-pass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. ....